CITY POEMS I
Allowing time
to develop, watching it
sit curled like a twist
of smoke,
sticky perhaps, stuck
between my eyes and all
your
presence.
A preliminary
to the occasion:
the walk down shellacked
streets. I could watch those thoughts
pace me on the asphalt.
They heft strangely,
oddly shallow.
The city is sounds, and at odd
intervals. A thought
has the force of
an accident and the
same effects.
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A new chapter of the city
is the approach
of the metalsmiths. Soon the
sidewalks burn startling
ornate: pedestrians trip over
inlay, the homeless
stamp across the embossed plazas
all night long.
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Sounds and utterings
more human than their source
violently twisting free like a
cursed pocketbook.
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Utterance of morning,
the sky dims with imminent
wheels.
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With evening I blow among
gusts of errant radiowaves
clattering impressions
onto my skins my contributions
to the city avid and opaque.
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Streets bruised-blue,
minerals, streetlights
the shape of brushed cymbals
and maintenance
never a problem. It's just us
who echo around in
need of renovations.
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Easy for them, thoughts I mean, to
turn orthogonal and slip
between molecules. A place
like this gives you the "getting it, really,
having it, you know,
everything" -- navigating the
dictionary of coffee just does that.
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Movement the tenor of which
you never knew existed:
a sudden roll of the head
and you're gone, you never were,
the twist a severing
between eye and eye.
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Here the air's gotta be further away. We've got
the ground stretched up
and us in funny shapes to catch clues.
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You can kick and jitter and stamp
like a hobo and fling yourself further
but you're dealing with packed ground,
footed on fossils-in-the-making. No
way you'll root yourself here without
breaking some law anyway.
Mark Hessman (mhessman@world.std.com) works at Ziff Communications